Aesthetics & World Politics
When I started graduate work many, many, years ago, I wanted specifically to write a project on Thucydides and Aristotle, and what they had to say about the passions, politics, and the philosophic life. What I didn’t realize at the time was how the path to this project would make an important detour through international relations theory.
I took the core IR Theory course specifically so I could fill my requirement for a minor field. It was soon clear to me that what I thought International Relations meant and how I thought about International Relations were severely underdeveloped and juvenile. The professor during that course work went on to become my PhD Supervisor. That early encouragement from him that my interests aligned with IR theory in more ways that were immediately clear to me was a pivotal moment in my education and training.
However, there was one particular moment when I could see the path forward for myself, and how to frame the problem of politics and passion that I wanted to write about. That moment was when I read Roland Bleiker’s seminal essay, “The Aesthetic Turn in International Political Theory“. The key point that I took away was this: Aesthetics and aesthetic representation conceal the entirety of the political problem. The movement from original thing to represented thing requires, as a matter of responsibility, a logos; it requires a reasoned and rational account of what the differences are between original and copy. Of course, this isn’t new. At the same time that I was reading Aesthetic Turn essays in IR I was also preparing a presentation on Book VI & VII of Plato’s Republic. Circumstances!
This notion of aesthetic distance concealing the political is the thread that wove together everything for me – from Aristotle’s teaching on the passions in Book 2 of his Rhetoric, to Rousseau’s teaching about masks and amour propre in Emile – and made the project that I wanted to write intelligible to an audience I wouldn’t have expected.
With all of this said, it’s wonderful to see this topic revisited so many years later by Bleiker and others in Millennium. Here is a quote that inspired this post:
the aesthetic turn was and should continue to be about opening up thinking space…Opening up thinking space inevitably involves risks. It is to embrace creativity, and the uncertainty associated with it, over the comfort of time-honoured procedures and disciplinary conventions. It is to never stand still and to search for ever new ways of writ-ing, sensing, seeing and hearing the political.
There’s clearly an ethics, a morality, a duty upon writers, researchers, and practitioners, that is demanded by the aesthetic turn, once one is attuned to it.